Wickerman

The third and final of the 16 interior illustrations for Dullahan: Fomhar that I’m going to post here. This one shows the Wickerman, a giant made of sticks and wooden planks, sustained by the blood he squeezes out of his enemies.

The third and final of the 16 interior illustrations for Dullahan: Fomhar that I’m going to post here. This one shows the Wickerman, a giant made of sticks and wooden planks, sustained by the blood he squeezes out of his enemies.

Another illustration from Dullahan: Fomhar. Here Dullahan encounters the Slaugh, a mysterious ghost army, kept in line by their master by the means of a magic golden whip and a massive warhorn.

One of the 16 interior illustrations I did for Dullahan: Fomhar, the second installment of the Dullahan quadrilogy. When these guys come knocking at the gate of your ringfort, it’s not going to stay closed for long.

Dullahan: Fomhar, the second book in the Dullahan quadrilogy by @whitepillmedia is out, this time with 16 of my illustrations and a cover.

Here’s my favourite illustration from Aegeon #10, a two page spread for the short story ‘The Secret of Castle Belfrage’ by Brendan Heard. I’m sure keen observers have spotted the Piranesi ‘homage’ in this one. I’ve recorded a time-lapse of me drawing it and added some voice-over, if you’re interested:

Here’s another one of my illustrations from Aegeon #10. This one’s for the short story ‘Glow in the Night’ by Bryan Leyland. It was fun drawing all the weird monsters revealed by the airship’s searchlights.

It’s been a long time since the last Aegeon, but now that the special, extra-thick issue 10 is out, I’ll be posting a few of my images from it. This one’s for a very poetic short story ‘The Return of the Prodigal’ by C.P.Webster.
I’m also working on the second part in the Dullahan quadrilogy, but that’s not going to be out for a while yet.

Empire of the Tropics is one of my favourite ongoing series from Aegeon, second only to The Dream God. Despite giving it my best effort, I feel like my illustration doesn’t do justice to the fantastical weirdness of the stories.

It’s non-stop action in ‘Beyond the Pale’, the lead story in Aegeon #9 by Brendan Heard. In this image, I tried to convey the sense of high-speed motion using ProCreate’s perspective drawing aid.